Best Literary Fiction Books

Mehring is a wealthy white industrialist who buys a farm outside Johannesburg—not to farm it but to own it, to have somewhere to be. When a Black man's body is found buried on his land and ignored by authorities, the body becomes the novel's center of gravity—insisting on its presence, waiting to be claimed. Gordimer's Booker Prize winner.

Caithleen Brady and Baba Brennan grow up in rural Clare in the 1950s, are sent to a convent school after Caithleen's alcoholic father threatens her mother, then escape to Dublin and the freedoms it promises. O'Brien's debut was banned in Ireland on publication — it described female desire and Catholic repression with unprecedented frankness.

Aleksandr Ivanovich Luzhin is a Russian chess grandmaster of astonishing talent and near-zero social function. As he prepares to play the match of his career against the Italian champion Turati, his obsessive mind begins to translate the world entirely into chess — and to break down when the patterns become inescapable.

Lise, a woman from northern Europe, takes a holiday in Rome. She is searching for a man. What she is searching for, and why, becomes clear gradually. The novel uses a disturbing narrative technique — flash-forwards to her violent death — to create a portrait of a woman in complete control of her own annihilation.

Dylan Ebdus grows up on a block in Brooklyn's Gowanus neighbourhood in the 1970s, the only white kid, best friends with Mingus Rude, a Black boy with a ring that may give its wearer superpowers. The novel traces their friendship across decades — from childhood through the 1990s — as the neighbourhood and their lives diverge irreparably.

Nathan Zuckerman, a young Jewish writer from Newark, visits the reclusive novelist E. I. Lonoff in New England. At Lonoff's house he meets a young woman he becomes convinced is Anne Frank — survivor, living in secret. Roth's first Zuckerman novel is a compressed, brilliant examination of literary ambition and Jewish-American identity.

Saramago retells the Gospels from a resolutely human perspective: Jesus is the son of a carpenter who carries guilt for being complicit in the Massacre of the Innocents, is seduced by Mary Magdalene, and discovers that God intends to use him not to redeem humanity but to expand his own power and territorial reach. A novel so controversial it was pulled from consideration for a Portuguese literary prize under government pressure.

Mary Turner, the wife of a failed white Rhodesian farmer, is found murdered by her Black houseboy Moses. The novel opens with this fact and moves backward, tracing how a woman who was bright and independent in the city became isolated, desperate, and dependent on a Black servant in ways neither colonial society nor she herself could acknowledge.

Three women, three days, one novel: Virginia Woolf writing Mrs Dalloway in 1923 Richmond; Laura Brown reading Mrs Dalloway in 1949 Los Angeles, planning the perfect birthday party for her husband while considering suicide; Clarissa Vaughan, a modern New York editor, planning a party for her AIDS-stricken poet friend on a single June day.

Told from inside the consciousness of Lok, a Neanderthal man, the novel follows a small tribe as they encounter Homo sapiens—'the new people'—and are destroyed by them. Golding's response to H.G. Wells's smug confidence that human progress was a good thing.

Ralph Singh, a politician from a fictional Caribbean island, writes his memoirs from a London hotel room, examining the disorder and inauthenticity of his life: his failed political career, his failed marriage, his failure to find any stable identity between the colonial world he was educated to admire and the island world he was meant to lead.

Three moments in the life of composer Dmitri Shostakovich: waiting by the lift in Leningrad expecting arrest in 1936; meeting NKVD officer Vsevolod Power in Washington in 1949; accepting the chairmanship of the Union of Soviet Composers in 1960. A meditation on what art costs when the state controls your life.

A murder in 1911 — a white family killed on their farm, blame assigned to three Ojibwe men who are lynched — haunts a North Dakota town for generations. Multiple narrators across several decades gradually reveal the truth behind the original murders and the lynching, and the consequences that have propagated through every family in the area.

At the 1939 Marian Anderson concert on the National Mall, a German Jewish émigré physicist meets an African American woman. Their children — David, Jonah, and Ruth — grow up in New York in a household defined by music and by the refusal to admit that race determines who you are. A multigenerational novel about music, race, and the cost of idealising beyond the possible.

A young man inherits the tea master's circle from his dead father—and with it two women: his father's former mistress, and her daughter. The tea ceremony is the novel's setting and its medium: the ancient bowls, their imperfections, the gestures of preparation, all carrying the erotic charge of what cannot be said. Kawabata's most erotic novel.

Set in North Dakota in the early 20th century, when the Ojibwe were losing their land to government allotment policies, Tracks follows the people of the Kashpaw and Pillager families through smallpox, starvation, and dispossession. Two alternating narrators — the old tribal figure Nanapush and the young woman Pauline — provide irreconcilable accounts of the same events.

The second novel of Rachel Cusk's Outline trilogy. Faye has returned to London from Athens and bought a flat she is renovating. She has more conversations — with a hairdresser, an old university friend, a fellow writer, her downstairs neighbours. The construction of a home becomes the novel's structuring metaphor for the question of rebuilding a self.

Tristram Shandy attempts to write his life story and cannot get past the moment of his conception. The novel is all digression — Uncle Toby's military obsessions, the Shandean theory of noses, blank pages, marbled pages, dedications to the reader — and is widely considered the most metafictional novel ever written, despite being the eighth-century novel.

Pampa Kampana, blessed by a goddess as a child, breathes an empire into existence in 14th-century south India. The empire of Bisnaga rises and falls across two hundred and fifty years while Pampa watches, intervenes, suffers, and records — a mythological history that is also an allegory of power, imagination, and the persistence of storytelling.

Etsuko, a Japanese woman now living in England, reflects on a summer in postwar Nagasaki when she befriended a strange woman named Sachiko and her troubled daughter Mariko. As Etsuko remembers, the reader begins to suspect that Sachiko may be a projection of Etsuko herself—and that the memory is protecting its keeper from something unbearable.

The Trojan War is retold entirely through the voices of the women caught in it — goddesses, queens, slaves, and prophets — with the Muse Calliope insisting that their stories are as worth telling as any hero's.

A group of Egyptian intellectuals and civil servants gather nightly on a houseboat on the Nile for kif-smoking sessions that are at once a retreat from Nasser's Egypt and a symptom of its spiritual exhaustion. When a journalist who refuses to join their escapism enters the circle, the consequences are fatal.

In 1962, a young Italian innkeeper on a remote Ligurian cliff meets a dying American actress, and their brief encounter echoes across fifty years, two continents, and a Hollywood dream factory that chews up everyone who enters it.

Popular girl Samantha Kingston dies in a car crash and relives her last day seven times, slowly reckoning with the cruelties she participated in and what it would cost to do something different.