Editors Reads

Best Classic Literature Books

332 expert-reviewed books — page 12 of 14

The Histories book cover

The Histories

by Herodotus

4.2

Herodotus's account of the Greco-Persian Wars — from Croesus of Lydia through the Persian invasions of Greece, culminating in Marathon, Thermopylae, Salamis, and Plataea. Along the way, extensive digressions on Egypt, Scythia, Babylon, and the customs of peoples across the known world.

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The House of Mirth book cover

The House of Mirth

by Edith Wharton

4.2

Lily Bart, beautiful, brilliant, and financially precarious, navigates New York society's marriage market and slowly loses ground in a game she was not born to win.

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The Mysterious Affair at Styles book cover
4.2

When Emily Inglethorp is found dead at Styles Court, her stepson calls in his Belgian refugee friend Hercule Poirot to investigate. Christie's debut novel introduces one of fiction's most beloved detectives and establishes the country-house mystery template.

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The Pale King book cover

The Pale King

by David Foster Wallace

4.2

Wallace's unfinished posthumous novel follows IRS agents in a Midwest tax processing centre, examining boredom, attention, and the ethical weight of choosing to care about something the world deems worthless.

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The Silmarillion book cover

The Silmarillion

by J.R.R. Tolkien

4.2

The mythological history of Middle-earth, from the creation of the world by the god-like Ainur through the ages of the Elves, the forging of the Silmarils, and the great wars of the First Age — assembled posthumously by Christopher Tolkien from his father's lifelong writings.

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Ubik book cover

Ubik

by Philip K. Dick

4.2

Joe Chip works for a psychic-shielding agency in a world of commercial telepaths, until a bomb blast sends his team into a reality that keeps regressing — a mind-bending exploration of reality, death, and consumerism.

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Washington Square book cover

Washington Square

by Henry James

4.2

A plain, good-natured heiress in 1840s New York is courted by a charming fortune hunter — with her sardonic, brilliant father watching and diagnosing everything.

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After Leaving Mr Mackenzie book cover
4.1

Julia Martin, who has been receiving a small weekly allowance from a former lover, confronts him when it stops, returns to London to see her dying mother, and drifts. Rhys's second novel is the most Chekhovian of her work — nothing is resolved, nothing is dramatized, and the sense of life passing without the protagonist being able to grasp it is achieved entirely through prose of minimal, devastating precision.

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Bayou Folk book cover

Bayou Folk

by Kate Chopin

4.1

Kate Chopin's first short story collection captures life in the Louisiana Creole and Cajun communities of Natchitoches Parish, rendering race, desire, and social constraint with extraordinary sensitivity and precision.

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Bouvard and Pécuchet book cover

Bouvard and Pécuchet

by Gustave Flaubert

4.1

Two copy-clerks who become friends retire to the countryside and systematically attempt to master every branch of human knowledge — agriculture, chemistry, medicine, archaeology, philosophy, religion — failing at each in turn. Flaubert's unfinished final novel, published posthumously, is his most radical satirical project.

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Brief Interviews with Hideous Men book cover

Brief Interviews with Hideous Men

by David Foster Wallace

4.1

Wallace's second story collection, including the title series of interview transcripts with monstrous men and pieces like 'The Depressed Person,' 'Adult World,' and 'Forever Overhead' — his most formally varied collection and his most direct engagement with the damage contemporary culture does to interiority.

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Children of Dune book cover

Children of Dune

by Frank Herbert

4.1

Paul Atreides is gone. His twin children, Leto II and Ghanima, inherit both his bloodline and his terrifying prescience — while a crumbling empire and Alia's increasingly erratic regency threaten to consume everything Paul built and sacrificed.

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Eight Cousins book cover

Eight Cousins

by Louisa May Alcott

4.1

Orphaned Rose Campbell comes to live with her seven aunts and eight boy cousins, and her unconventional guardian Uncle Alec sets about raising her according to his progressive ideas about health, fresh air, and genuine education.

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Falling Man book cover

Falling Man

by Don DeLillo

4.1

DeLillo's 9/11 novel follows Keith Neudecker, who walks away from the World Trade Center on the morning of the attacks carrying a stranger's briefcase, and the weeks afterward as he and his wife Lianne try to rebuild — and the performance artist who falls from buildings in a harness, recreating the image of the falling man. DeLillo writes around the event rather than depicting it, which is the only honest formal strategy for something that defeated language.

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Jazz book cover

Jazz

by Toni Morrison

4.1

In 1926 Harlem, a man shoots his young lover at her funeral while his wife grieves, attacks the dead girl's face, and attempts to understand what the city and their history have made of them all.

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Main Street book cover

Main Street

by Sinclair Lewis

4.1

Carol Milford, idealistic and educated, marries a doctor and moves to Gopher Prairie, Minnesota, where she attempts to bring culture and reform to a town that does not want them. Lewis's breakthrough novel is the first great satire of American small-town life — the conformity, the anti-intellectualism, the material comfort as a substitute for meaning — and it made Lewis famous overnight.

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Nana book cover

Nana

by Émile Zola

4.1

Nana, daughter of the Lantier-Maheu family from L'Assommoir, rises from the Parisian slums to become the most celebrated courtesan of the Second Empire. Men ruin themselves for her; she ruins them. A study of female power and its relationship to the corruption of the Bonapartist regime.

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Poetics book cover

Poetics

by Aristotle

4.1

Aristotle's analysis of tragedy — its elements, its purpose, and its effects. Defines tragedy as an imitation of a serious action producing catharsis through pity and fear. Identifies the six elements of tragedy (plot, character, thought, diction, melody, spectacle) and argues that plot is the most important.

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Raise High the Roof Beam, Carpenters and Seymour: An Introduction book cover
4.1

Two stories about Seymour Glass: 'Raise High the Roof Beam, Carpenters,' narrated by Buddy on Seymour's wedding day when he fails to appear, and 'Seymour: An Introduction,' in which Buddy tries and fails to describe his brother. The second story is a meditation on the impossibility of capturing a person in language, and a portrait of obsessive love as a form of artistic blockage.

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Robinson Crusoe book cover

Robinson Crusoe

by Daniel Defoe

4.1

Shipwrecked alone on a tropical island near Trinidad, Robinson Crusoe survives for twenty-eight years — building a shelter, growing food, domesticating animals, maintaining a calendar, and eventually encountering the man he calls Friday. Often called the first English novel, and the founding text of the survival narrative.

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Salammbô book cover

Salammbô

by Gustave Flaubert

4.1

Set during the Mercenary War in Carthage (240-238 BC), Flaubert's archaeological novel follows mercenary soldier Mâtho's obsession with Salammbô, daughter of Hamilcar Barca and guardian of the sacred veil — a deliberate departure from domestic realism into extreme historical otherness.

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The Beautiful and Damned book cover

The Beautiful and Damned

by F. Scott Fitzgerald

4.1

Anthony Patch, heir to a great fortune, and his beautiful wife Gloria dazzle New York society while waiting for Anthony's grandfather to die. The wait — and the drinking and the parties — destroy them both before the inheritance arrives.

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The Custom of the Country book cover
4.1

Undine Spragg arrives in New York society from the Midwest, marriages her way through American and European aristocracy, and discards each world when it ceases to serve her. Wharton's most savage novel is a brilliant portrait of the American appetite for reinvention at any cost.

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The House of the Seven Gables book cover

The House of the Seven Gables

by Nathaniel Hawthorne

4.1

The Pyncheon family has lived for generations under the shadow of a curse laid by a man their ancestor wrongly executed for witchcraft. Hawthorne's second novel is a Gothic meditation on inherited guilt — the way the sins of the ancestors persist in the family's blood, property, and character.

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