Sinclair Lewis was an American novelist whose Main Street, Babbitt, and Arrowsmith anatomized American middle-class life with satirical precision that earned him the first Nobel Prize awarded to an American.
Sinclair Lewis was awarded the Nobel Prize in Literature in 1930, becoming the first American to receive it, and his acceptance speech — a forthright critique of American literary culture’s resistance to serious fiction — was characteristic of his combative relationship with his country’s institutions. His major novels of the 1920s are social X-rays of American life: Main Street (1920) examines a Midwestern small town through the eyes of a woman with larger ambitions; Babbitt (1922) follows a Midwestern real estate agent whose conformism and boosterism mask a deep, inarticulate longing he cannot name. Babbitt gave American English a word for a particular kind of self-satisfied mediocrity.
Arrowsmith (1925), which won the Pulitzer Prize that Lewis refused, is about a medical researcher caught between scientific integrity and commercial pressure — a prescient subject that feels entirely contemporary. Elmer Gantry (1927), about a charismatic evangelist whose faith is wholly corrupt, is his most deliberately offensive novel and perhaps his most read today. It Can’t Happen Here (1935), written in two months as fascism was consolidating in Europe, imagines a fascist takeover of the United States with a prophetic precision that has ensured the book is periodically rediscovered.
Lewis’s weaknesses are real: his plotting can be mechanical and his satire can tip into caricature. His strengths — the sociological precision, the mimicry of American speech, the genuine anger at wasted human potential — are historically significant in ways that outlast technical criticisms. Main Street and Babbitt in particular repay reading for any student of American social history.